Dr. Rasma Lazda

GN 404

Seminar on German Literature

Liebe, Helden und Tod in der deutschen Literatur

Love, Heroes, and Death in German Literature

Last update: 4/30/08



GN 404 - Spring 2008
TR 12:30 - 1:45
241 B.B.Comer

Office hours:

TR 10:00 - 11:00 and by appointment.
Office: 220 B.B. Comer Hall
Phone: 348-6954; Please feel free to e-mail me with any questions: rlazda@bama.ua.edu

Turnitin ID: 2130742; Password: goethe
to view this page without frames copy and paste:
http://www.lazda.net/gn_404_08.html

Required Texts:
Most primary and secondary texts are available online. You will need to buy:*
Ulrich Plenzdorf, Die neuen Leiden des jungen W. Suhrkamp, 2006. ISBN 978-3-518-36800-8
Bernhart Schlink, Der Vorleser. Zürich: Diogenes, 1997. ISBN 978-3-257-22953-0


Description
This course presents major German literary works from the earliest period up to today. Specifically, all works deal in one or other form with love, death, and what it means to be heroic.

Erich Fromm, The Art of Loving:
"Not that people think that love is not important. They are starved for it, they watch endless films about happy and unhappy love stories; they listen to hundreds of trashy songs about love--yet hardly anyone thinks that there is anything that needs to be learned about love."(p. 1)

Guiding questions:
What can be learned about love? If we can learn about love, how much of what we need to learn is influenced by the culture we live in? How were concepts of love (and therefore also concepts of heroism and death) different in earlier times?


Prerequisite is the completion of at least GN 361 or GN 362, unless by special permission of the instructor.

Student Learning Outcomes

The course will help you to
1. Expand your knowledge of German in the areas of reading and writing, as well as listening and speaking.
2. Become familiar with well-known literary works of German literature.
3. Gain an understanding of various German literary periods.
4. Develop effective written and oral communication skills to express your ideas in German.
5. Recognize and identify key concepts of love, and death to provide a broad perspective on the human condition.
6. Become familiar with scholarly and research methods, such as collecting reliable information, preparing a bibliography, and discussing theoretical approaches for the analysis of love and death in literature.
7. Access, interpret, evaluate and synthesize information using multiple resources, including current information technology
8. Analyze, understand, and evaluate diverse ideas, beliefs, and behaviors.
9. Be able to critically discriminate between reliable and less reliable information in your decision-making.
10. Understand yourself and others as members of our diverse global community.

Assessment
A variety of tools will help me to assess your progress in this course: from short pop quizzes, a bibliography, Power Point Presentations to a a longer research paper with a literary analysis, all in German. A midterm and final exam, each with a short answer section and an essay question, will provide additional feedback on the performance in this class. Since I am using a grading software, students will have the opportunity to keep track of their progress from week to week.

Participation / Preparation
Participation and preparation count as 20 % of your grade. When you come to class, have your homework finished. For this course, this refers mostly to the reading of the assigned texts. I will occasionally check your reading comprehension with small mini-quizzes.
You will have an initial 30 points in your participation/preparation account, with three points per class; if you come prepared you receive full participation/ preparation credit for that class session. For every class you miss I will deduct three points. You cannot earn full preparation/participation points if you have not prepared your homework or any points if you are absent.

Attendance Policy / Missed Coursework
Regular attendance is essential. THERE ARE NO MAKE-UPS for missed quizzes and other assignments. On rare occasions when absence is unavoidable due to serious illness or family emergency, I may require proof of your reason of absence before we discuss the possibility of make-up work.
ATTENDANCE POLICY: If you miss more than 20 % of class time, you will receive an automatic "F", regardless of the quality of your work. Since this course meets only once a week, you will receive an "F" if you miss more than three class sessions.

Grading

Participation/Preparation (incl. quizzes, bibliography)

20%

Oral presentation (Power Point Referat) 20%
Essay (Schriftliche Hausarbeit) 20%

Midterm Exam

20%

Final

20%

 

The Grading Scale is the standard +/- scale used by the university.

A+ 97-100 A 93-96 A- 90-92 B+ 87-89 B 83-86 B- 80-82
C+ 77-79 C 73-76 C- 70-72 D+ 67-69 D 63-66 D- 60-62
F 59 below          

 

Assignments
You will have a variety of tasks to complete in this course. Assignments listed on the syllabus are to be prepared for the day they are listed. You will probably spend four to six hours work outside of class for each class session. This includes preparing reading and writing assignments.

Power Point Presentation
You will prepare a Power Point presentation of about 20-30 minutes in length. For this Power Point Referat, you will present on one work and its author from the list below.
Be ready to talk for at least 20 minutes. I encourage you to run a test presentation in order to prepare for your actual Referat. You will be evaluated on content, delivery, and the presentation overall.
Here are some hints for your presentation:
-You may not only read from the slides.
-Slides should be a backdrop for your presentation.
-Make use of photos, illustrations, maps etc. in your slides.
-Make sure that your presentation does not contain any spelling or grammatical errors.
-Rehearse your presentation.

Bibliography
You will prepare a bibliography on recent scholarly research on a work from German literature dealing with love, heroes, and death. I will assign you the work. Your bibliography has to contain 10 -15 articles and/or books. Your bibliography has to be in MLA style. You may wish to prepare a bibliography that will help you with your essay and/or PowerPoint presentation.

Exams / Final
There will be a midterm exam and a final covering the assigned material and the class presentations. You will also prepare two papers.

Essay
Your schriftliche Hausarbeit (essay) will be a research paper on a topic relating to at least one work dealing with some aspects of love, heroes and/or death. This essay should be between 8-12 pages long (MLA Style follow this link to view a sample heading and a works cited page, double spaced, 1-inch margins, 12-point font). You have to consult at least three secondary sources (scholarly research articles). You may use internet pages as an additional source, but articles from newspapers or wikipedia are not scholarly research articles. Scholarly articles accessed by means of the library web page are valid secondary sources (research articles). If you are not sure, please check with me.

For all your written assignments you are required to use a Word processor. This will facilitate the editing of your text immensely. German characters: Please make sure that you use in your writing the appropriate German characters (ss for ß or ue for ü etc are not acceptable). If you need help how to type German characters on your computer, please consult this link.

All assignments have to be double spaced and follow MLA Style (please follow this link to view a sample heading and a works cited page). Mark the total of your words at the end of your essay. Please prepare your assignments on time and note that I will not accept any excuses for the lateness of your written work because of any kind of computer related problems. Assignments are due at the beginning of class; all written assignments have to be turned in via Turnitin.com.
The University of Alabama reserves the right to use electronic means to detect and help prevent plagiarism. Students agree that by taking this course all course documents are subject to submission to Turnitin.com. All materials submitted to Turnitin.com will become source documents in Turnitin.com's restricted access database solely for the purpose of detecting plagiarism in such documents.

Honor Code
Please keep the Code of Academic Conduct as stated in the undergraduate catalogue in mind for all the work for this class. Please follow the link to read the entire Code of Academic Conduct addressing cheating, plagiarism, fabrication and misrepresentation.

Disability Services
It is university policy to provide, on a flexible and individualized basis, reasonable accommodations to students who have disabilities that may affect their ability to participate in course activities or to meet course requirements. Students with disabilities are encouraged to contact me in the beginning of the semester to discuss their individual needs for accommodations. It is standard university procedure that instructors require from students with learning disabilities a letter requesting accommodations in compliance with the Office of Disability Services (ODS). If you have a disability, register with ODS. Instructors are not obligated to provide academic adjustments until they have received an RFA letter ("Request for Accommodations" letter). To request disability accommodations, please contact the Office of Disability Services at 348-4285. After initial arrangements are made with that office, contact your professor. This information refers to all courses at the university.

Semesterplan

DATUM
THEMA / TEXT
zu Hause

10. Januar

Einführung
Was ist Liebe?
Wer ist ein Held?
Welche Rolle spielt der Tod?

Dû bist mîn, ich bin dîn:
des solt dû gewis sîn;
dû bist beslozzen in mînem herzen,
verlorn ist daz slüzzelîn:
dû muost och immer darinne sîn.
15. Januar 1. Hildebrandslied

Hildebrandslied (Wimmer);
Hildebrandslied;

Hören:
Track 03: Hildebrandlied
Track 04: Analyse Stabreim
Track 05: Geschichte der Handschrift

17. Januar

2. Hildebrandslied
Was ist Liebe?
Wer ist ein Held?
Welche Rolle spielt der Tod?

Mittelalter: Althochdeutsche und mittelhochdeutsche Epoche (750-1500) ein kurzer Überblick;
Mittelalter - althochdeutsche Zeit;

22. Januar 3. Nibelungenlied
Was ist Liebe?
Wer ist ein Held?
Welche Rolle spielt der Tod?
Nibelunglied Intro (Wimmer);
Nibelungenlied - Zusammenfassung;


Das Nibelungenlied als Comic Teil 1 und Teil 2 lesen;
Nibelungenlied;
Nibelungenlied - summary;
24. Januar

4. Gottfried von Straßburg, Tristan
Was ist Liebe?
Wer ist ein Held?
Welche Rolle spielt der Tod?   

Gottfried von Straßburg (bitte Einführungstext .pdf downloaden, ausdrucken und lesen!);
Gottfried von Straßburg (Wimmer.);
29. Januar 5. Märchen
Was ist Liebe?
Wer ist ein Held?
Welche Rolle spielt der Tod? 
Bibliographie abgeben
Märchen, Gehen Sie auf die Mitte der Seite zu "Die Brüder Grimm / The Grimm Brothers" und lesen Sie mindestens drei Märchen.
Fairy Tale Generator (Propp); Vladimir Propp and Fairy Tales (wikipedia); The Hero's Journey - Joseph Campbell; The Hero's Three-Part Journey;
Bibliographie
31. Januar

6. Fassbinder, Effie Briest

Erich Fromm;
Erich Fromm;
Theodor Fontane (wikipedia);
Effie Briest (wikipedia);

5. Februar 7. Fassbinder, Effie Briest Rainer Werner Fassbinder
Fromm, Die Kunst des Liebens (wikipedia)
7. Februar

8. Effie Briest
Was ist Liebe?
Wer ist ein Held?
Welche Rolle spielt der Tod?  

Wedekind, Frühlings Erwachen, 1. Akt
12. Februar 9. Wedekind, Frühlings Erwachen Wedekind, Frühlings Erwachen, 2. Akt
14. Februar

10. Wedekind, Frühlings Erwachen
Was ist Liebe?
Wer ist ein Held?
Welche Rolle spielt der Tod?  

Wedekind, Frühlings Erwachen, 3. Akt
Wedekind, Frühlings Erwachen (Text per Szene)
Richard von Krafft-Ebing: Sexualität im 19. Jahrhundert

19. Februar

11. Sexualität, Tod und Liebe
Wo bleibt der Held?
Symbolisiert Sexualität eher Tod als Liebe?


Midterm Take Home Exam
You have until Saturday, 11:59 am to complete the Midterm.
Please take your time - all questions are short essay questions.
21. Februar

12. Visconti, Tod in Venedig
Film

Mann, Tristan, 170-182 oben 
26. Februar 13.Visconti, Tod in Venedig
Film
Mann, Tristan, 182-195 Mitte
Mann, Tristan, engl.
28. Februar

14. Thomas Mann, Tod in Venedig

Mann, Tristan, 195-206
Thomas Mann, Autobiography
4. März 15. Thomas Mann, Tristan
Was ist Liebe?
Wer ist ein Held?
Welche Rolle spielt der Tod?  

Plenzdorf, Die neuen Leiden, 7-29
Biographie von Ulrich Plenzdorf;

6. März

16. Die neuen Leiden des jungen W.


Ulrich Plenzdorf,
Die neuen Leiden des jungen W.
, 30-50 oben
Das geteilte Deutschland 1949-19;89
11. März 17. Die neuen Leiden des jungen W.
Plenzdorf, Die neuen Leiden, 50-72
Entwicklungen im Osten 1963-1974;
13. März 18. Die neuen Leiden des jungen W.

Referat Tyler

Plenzdorf, Die neuen Leiden, 72-96 Mitte

14.-21. März SPRING HOLIDAY  
25. März 19. Die neuen Leiden des jungen W.

Referat Kyle
Plenzdorf, Die neuen Leiden, 96-116
27. März

20. Die neuen Leiden des jungen W.

Referat Stephen

Plenzdorf, Die neuen Leiden, 117-137 oben
1. April 21. Die neuen Leiden des jungen W.

Referat Lisa
Plenzdorf, Die neuen Leiden, 137-148
3. April

22. Der Vorleser

Referat Josh

Bernhard Schlink, Der Vorleser, 5-32
8. April 23. Der Vorleser

Referat Kevin

Schlink, Der Vorleser, 33-57
10. April

24. Der Vorleser

Referat Maurice

Schlink, Der Vorleser, 58-81
15. April Der Vorleser

Referat Jacob

Schlink, Der Vorleser, 83-103
17. April

26. Der Vorleser

Referat Sarah

Schlink, Der Vorleser, 104-129
22. April 27. Der Vorleser

Referat Blake

Schlink, Der Vorleser, 130-152
24. April

28. Der Vorleser

Referat Anna

Schlink, Der Vorleser, 153-176
29. April 29. Der Vorleser

Referat Jan

Schlink, Der Vorleser, 177-207
1. Mai NO CLASS TODAY We will meet instead for a last session on Tuesday, May 6, the time reserved for the final.
5. Mai TAKE HOME FINAL
DUE:
Montag
5. Mai, 11:30 a.m.
Turn in via Turnitin
6. Mai 30. Zusammenfassung FINAL CLASS SESSION 11:30 - 1:00
7. Mai

FINAL PAPER
DUE
Mittwoch
7. Mai, 11:30 a.m.

Turn in via Turnitin

 

AUTOR / WERK / Bibliographie TEXT / QUELLE (wird noch erweitert) WEITERE INFORMATION
anonym Hildebrandslied  
anonym Nibelungenlied  
Fritz Lang Die Nibelungen (1924)
1. Teil 142 min
2. Teil 151 min
Die Nibelungen (Wikipedia)
Uli Edel Die Nibelungen (2004) 177 min Die Nibelungen (Wikipedia)
verschiedene Autoren Minnesang  
Gottfried von Straßburg
Anna
Tristan  
Wolfram von Eschembach Titurel  
Oswald von Wolkenstein Lieder  
Johannes von Tepl Der Ackermann aus Böhmen  
anonym Lübecker Totentanz (1463)  
anonym "Oberdeutscher Totentanz", Heidelberger Blockbuch (~1460-1465)  
Friedrich Schiller Kabale und Liebe  
Johann Wolfgang von Goethe
Kevin
Die Leiden des jungen Werther  
Georg Büchner Woyzeck  
Heinrich Heine Sie saßen und tranken am Teetisch (1822/23)  
Gottfried Keller
Sarah
Romeo und Julia auf dem Dorfe  
Grimm
Stephen
Märchen: Dornröschen, Hänsel und Gretel  
Theodor Fontane Effie Briest (1895)  
Rainer Maria Fassbender Effie Briest (1974) 135 min Fontane - Effi Briest oder: Viele, die eine Ahnung haben ...;
Rainer Maria Rilke
Kyle
Gedichte  
Frank Wedekind Frühlings Erwachen (1891)  
Oskar Kokoschka Mörder, Hoffnung der Frauen (1916) Oskar Kokoschka, Biographie;
Arthur Schnitzler Traumnovelle  
Thomas Mann Tristan  

Thomas Mann
Blake

Tod in Venedig  
Luchino Visconti Tod in Venedig (1971) 130 min Morte a Venezia;
Thomas Mann Der Zauberberg (1924)  
Hans W. Geißendörfer Der Zauberberg (1982) 153 min (Fernsehfassung 329 min) Der Zauberberg (IMDb);
Else Lasker-Schüer Gedichte  
Gottfried Benn Gedichte  
Bertolt Brecht Gedichte  
Hermann Hesse
Jan
Der Steppenwolf (1927)  
Erich Kästner Sachliche Romanze (1929)  
Josef von Sternberg Der Blaue Engel (1930) Der Blaue Engel (Wikipedia);
Friedrich Dürrenmatt
Tyler
Der Besuch der Alten Dame (1956)  
Max Frisch
Josh
Homo faber (1957) zu Homo faber;
Volker Schlöndorff Homo faber (1991) 117 min Homo faber (Wikipedia);
Christa Wolf
Lisa
Der geteilte Himmel (1963)  
Ulrich Plenzdorf
Jacob
Die neuen Leiden des jungen W. (1972)

Die neuen Leiden des jungen W. (Materialien)
Die neuen Leiden des jungen W. (Materialien)

Heinrich Böll Die verlorene Ehre der Katharina Blum (1974)  
Volker Schlöndorff / Margarethe von Trotta Die verlorene Ehre der Katharina Blum (1975)
100 min
Die verlorene Ehre der Katharina Blum (Wikipedia);
Bernhard Schlink
Maurice
Der Vorleser (1995)  
Benjamin Lebert
Crazy (1999)  
Sekundärliteratur (wird noch erweitert)

Aries, Philippe. The Hour of Our Death. New York: Oxford University Press, 1981.

Aries, Philippe. Western Attitudes Toward Death: From the Middle Ages to Present. Baltimore: The Johns Hopkins University Press, 1975.

Bloch, R. Howard. Medieval Misogyny and the Invention of Western Romantic Love. Chicago: University of Chicago Press, 1991.

Bronfen, Elisabeth. Over Her Dead Body: Death, Femininity, and the Aesthetic. Manchester: Manchester University Press, 1992.

Cammille, Michael. The Medieval Art of Love: Objects and Subjects of Desire. New York: Harry M. Abrams, 1998.

Fromm, Erich. The Art of Loving. NY: Harper, 1956.

Gediman, Helen K. Fantasies of Love and Death in Life and Art: a Psychoanalytic Study of the Normal and the Pathological. NY: New York UP, 1995.

Hatfield, Elaine. Love and Sex: Cross-cultural Perspectives. Boston: Allyn and Bacon, 1996.

Heinen, Huber. "Minnesang." Medieval Germany: An Encyclopedia. Ed. John M. Jeep. Routledge, 2001. 525-532.

Jaeger, Stephen C. Ennobling Love: in Search of a Lost Sensibility. Philadelphia: University of Pennsylvania Press, 1999.

Karras, Ruth Mazo. Sexuality in Medieval Europe: Doing unto Others. New York: Routledge, 2005.

Kristeva, Julia. Tales of Love. Translated by Leon S, Roudiez. NY: Columbia University Press, 1987.

Kübler-Ross, Elisabeth. On Death and Dying. New York : Macmillan, 1969.

Luhmann, Niklas. Love as Passion: the Codification of Intimacy. Transl. Liebe als Passion by Jeremy

Gaines and Doris L. Jones. Cambridge, MA: Harvard University Press, 1986.

Miller, Dean A. The Epic Hero. Baltimore : Johns Hopkins University Press, 2000.

Murstein, Bernard I. Love, Sex, and Marriage through the Ages. Foreword by William M. Kephart. NY: Springer Pub. Co., 1974.

Person, Ethel Spector. Dreams of Love and Fateful Encounters: the Power of Romantic Passion. NY: Norton, 1988.

Schultz, James A. Courtly Love, the Love of Courtliness, and the History of Sexuality. Chicago: University of Chicago Press, 2006.

Stewart, Robert M. Philosophical Perspectives on Sex and Love, NY: Oxford U.P., 1994.

Tweedie, Jill. In the Name of Love. NY: Pantheon Books, 1979.

Wagoner, Robert. The Meanings of Love: an Introduction to Philosophy of Love. Westport, CT: Praeger, 1997.

SPRACHE UND WÖRTERBÜCHER
LEO Deutsch-Englisch-Deutsch
Deutsches Wörterbuch von Jacob und Wilhelm Grimm, ausführlichstes Wörterbuch zur deutschen Sprache
Deutsches Rechtswörterbuch ausgezeichnetes Wörterbuch, besonders für Fachsprachen


Die deutsche Literatur des Mittelalters erster Überblick
Mittelalter: Althochdeutsche und mittelhochdeutsche Epoche (750-1500) ein kurzer Überblick
Epochenübersicht Daten der deutschen Literatur, ausgezeichneter ausführlicherer Überblick
Rund ums Mittelalter Abteilung für Mittelalterliche Geschichte der Universität Tübingen
Anthology of Medieval German Literature Albert K. Wimmer (Table of Contents)

Minnesang kurzer Überblick mit Musikbeispielen
Minnesang James McMahon, Emory U

LITERATURGESCHICHTEN / BIOGRAPHIEN
Literaturepochen (Literaturwelt) ausführlicher guter Überblick
Literaturepochen (Vocke) kürzer
Literarische Epochen von 1600 bis 1933 (Xlibris) ausgezeichnet und ausführlich, leider erst ab 1600
Allgemeine Deutsche Biographie informiert über bedeutende Personen, die vor dem Jahr 1900 verstorben sind


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